barbed wire and rusty iron

They moved every three years so Jersey was the only place she felt at home.After college Antoinette returned to Jersey to live after finding a teaching job in the island, but a job teaching in Canada for two years drew her away.There was every intention to return, but marriage and motherhood kept her in her adopted home in Regina, Saskatchewan, Canada.“My generation grew up in the austerity years of Britain in the 1960’s, lots of us couldn’t wait to go elsewhere to travel and find opportunities outside Britain.“I came to Canada in 1967 as part of a recruitment drive to attract hundreds of British teachers,“ said Antoinette.But, even though she lived thousands of miles from Jersey, Antoinette returns to the island regularly and it still holds a place in her heart and her work.She has worked as an artist for 20 years, studied art in Canada, Italy and Greece and worked as a part time lecturer at the University of Regina.Her most recent exhibition, called ‚Fragmented‘, which is on display in the Art Gallery of Regina explorers the islands Nazi occupation during World War II.“As a young child I saw traces of the war years in Jersey; the German fortifications and even remnants of barbed wire and rusty iron spikes that I was told to stay away from on the beaches,“ said Antoinette.Those early memories are some of the sources behind her decision to use the occupation history as the subject for her exhibition but there is more to it.“Besides curiosity about how my family survived, a desire to re connect with my roots as I get older and for my children to know, my reasons may connect to questions that we as Canadians are asking about our world.“We like Britain have troops engaged in Global conflicts. In my city, there are thousands of new immigrants, many who are refugees trying to adjust and make new lives.“In one high school I sometimes work in, there are at least 100 different cultures represented.“Many of these kids are hurtled from horrendous situations one week to modern teenage North America the next.“By reflecting on my own family history of life under traumatic circumstances, I can try to put the present into historical context,“ said Antoinette.Canadian Art Critic, Jack Anderson described the work as being a tail of ‚lived‘ history.“Herivel’s approach is not to visually rewrite a cohesive linear history of these events but more to reassign it through the lens of ‚lived‘ history.“Thus we find here the small details, daily comings and goings, the quiet longings of the small players who persisted through these challenging times,“ said Jack Anderson.Antoinette said that the work allows her to explore her findings, her research into the history of the occupation and the anthropological study of the people living through the Occupation.“In these drawings I explore my findings by presenting little fragments of everyday life from the occupation years. This is the way I think we learn about history.“We really never know everything, and even official histories shift and change over time.“People write, make films, even poetry and plays about war, but making contemporary visual art about history is always a challenge.

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